1. Pandora's Box
2. Moving Borders
3. Void's Anatomy
4. Radio Depth
5. If You Call That Living (feat. Saåad)
6. Desert Tales
7. Hidden Scenes
8. You Know That Place
9. Euphoria Euthanasia
10. Just Leave Your Backdoor Open
11. Warm Like December's Sun
2. Moving Borders
3. Void's Anatomy
4. Radio Depth
5. If You Call That Living (feat. Saåad)
6. Desert Tales
7. Hidden Scenes
8. You Know That Place
9. Euphoria Euthanasia
10. Just Leave Your Backdoor Open
11. Warm Like December's Sun
It's pretty evident that Sundrugs
(formerly Patryk_t), a 28 year old from Warsaw, Poland, embraces the
concept that it takes a certain patience to listen to drone and
ambient music. The experience is based on several things, a few you
can't control, and some you can. The length of the album, the
presentation and flow, how you approach your listening technique, and
even the mood you have before you even hit the play button all have
lasting effects. The ambient and drone genres are two of the most
polarizing in the musical industry. Simply put, it's just not for
everyone, and that's extremely evident even with recent albums such
as Tim Hecker's Ravedeath
1972 or Stars of the Lid's And
Their Refinement Of The Decline being
highly regarded and loved by some and hated by others.
While it may all seem very intimidating to have the style of work you
try to make a living off of be so highly criticized, misjudged or
even misunderstood over the past decade, Patryk does not succumb to
such pressures; he thrives over them.
With a few promising albums and EP's
under his former monicker, turning a new leaf and 'starting over'
could seem like a daunting task. Yet an artist that knows how to
manipulate music into feeling shorter and faster than it actually is,
is going to be seen as a success, especially on an ambient/drone
album spanning over 50 minutes. There’s something rather
breathtaking about thick, deep and enveloping layers of drone and
ambient soundscapes sucking you in and leaving you stunned, wondering
where your 50 minutes had gone and to have it seem so effortless in
the end. It's recognizable from the title of the first song
“Pandora's Box” and within the first two minutes of the second
song “Moving Borders”, that there are going to be multiple moving
parts, textures and layers to this album that could take several
listens to fully discover and hear, and that Hidden Scenes is
going open up into something truly spectacular, much
like the titles allude to. From the haunting voices calling
for help on “Radio Depth”, to the eerie and sinister nature of
the collaboration track “If You Call That Living”, with noted
drone artist Saåad, it's easy to tell there is some kind of hidden,
deep sadness running through this mans mind that had to be let go at
some point in his career.
He describes this album as “a night
journey through a forest of experiences, towards a pale dawn which
brings relief. This is a collection of hidden scenes from our life,
where every song tells a different story.” What are these secrets
locked away, hidden in the deep forest of his mind, that take Patryk
on a journey that is filled with images of both beauty and horror?
Listening to this for the first time, there was a shroud of mystery
surrounding it, like a bottomless, abyssal ocean, that left me
wanting to know more. With an opportunity to ask him a couple of
questions, he explained to me in great detail his approach and
influence for the album that took eight long months to record. “I
needed to put somewhere whole, the sick emotions oscillating around
me, to put somewhere the pain, helplessness, and some kind of
isolation with my problem.” The meaning to several of these tracks
are understandably quite personal for him. Turning these words and
thoughts into sounds, or vice versa, can be such a difficult process
for a musician. Yet over the course of the albums birth, it's clear
that he not only tries to shed those inner demons that influenced the
project in the first place, but also mentions finding hope that many
in the same position look for, in the centerpiece of the album, “You
Know That Place”.
While the story unfolds track to track,
starting with the obvious dark, troubling atmospheric vibes of
“Void's Anatomy” and
working its way towards a more relaxing, ethereal and warm state of
mind on “Warm Like December's
Sun”, the album,
much like the man himself, comes full circle. The thicker layers of
drone begin to strip away and are replaced with pure ambient bliss.
The album is very fluid and balanced and is not really dominated by
any one aspect. The grainy synthesizer, the electronic textures and
the heavy walls of noise all come together perfectly. This is what
headphone music is all about. Even if you don't know the back story
of the man himself, it's easy to notice even after one spin of Hidden
Scenes, that full heart was put
into this release that make it feel both incredibly genuine
and surprisingly disturbing. What's great is that it's so open to
interpretation, and it's very easy
to dismiss the flaws and focus on the rich environment the album
produces.
It's a hell of a thing to watch an
artist you have known for a while come into their full potential.
There's a new side, depth and attitude to Patryk that had not been
seen before on previous works. What's changed is the ability leave
behind the burdening emotions that come with life. Leaving it all on
this album, I feel Hidden Scenes is going to the the defining
moment in his career. A truly honest, sincere and unsettling album,
one that's sure to leave a lasting mark on the genre for several
years to come.
Poland, 2013
Ambient, Drone




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